Five Fierce Women in Antiquity
To celebrate International Women’s Day, I’d like to talk about five powerful, clever and resilient female leaders in antiquity: Apama, Cleopatra II, Fulvia, Regilla and Zenobia.
When looking at women in the ancient world, it’s important to recognise they had significant hurdles to exercising power in public spaces. It was generally oriented from the perspective, as Sarah Pomeroy writes, that “the private preceded the public: when public roles existed, they developed from family relationships.” So strategic marriages, powerful parents and acting as regent for future rulers offered elite women many opportunities to exercise more authority than any other women in society at many points throughout history. By acknowledging that their pathways to power lay through their bonds to family relationships is not to say they lacked agency or diminish their accomplishments, but simply to contextualise the perspective through which power flowed. The five fierce females I’ve picked took power for themselves by hook or crook and were forces to be reckoned with, facing the triumphs and tragedies they were dealt.
1. Apama, the first Queen of the Seleucid Empire (4th century BCE)
Though there is not much written about Apama, I include her first on my list because she came into power from a politically disadvantageous position and ended up having three cities named after her and was key to the founding of the Seleucid dynasty of Asia Minor!
Apama was born into a high-ranking family in the Sogdian region of the Achaemenid Empire in the 4th century BCE. Apama’s father, Spitamenes, was a powerful military leader who successfully led armed resistance against Alexander the Great. Spitamenes was murdered in Bactria by local clans wishing to sue for peace with the Macedonian army. It is unknown what transpired following this – with the elite women of Spitamenes’ family or other Sogdian elites – but four years later, Apama was married to Alexander’s top-tier Companion, Seleucus, at the Great Wedding of Susa. This was a mass marriage between Iranian noblewomen and the higher status Macedonian military, orchestrated by Alexander.
It is impossible to know what the women thought of this, since their voices are entirely absent from the record, and they were effectively high-status captives being married to an enemy army to cement their new political reality. Perhaps the elite women of Sogdiana were kept in relative protection like the captive women of Persian King Darius’ household (Diod. 17.37.5-38, Curt. 3.12.15-26). Given the brutal circumstances of her father’s death, it’s unlikely this was a comfortable period of her life, however, she would climb to the highest position possible in the new empire that Alexander was carving into Asia Minor.
Apama was the only wife we know of from these unions who was not abandoned after Alexander the Great died in 323 BCE. It is very likely that she was a formidable person. Surviving and navigating the wars between the Macedonians in the Achaemenid territories, the wars of the Successors (Alexander’s Companions) and carving out an empire with her husband across the largest and most ethnically diverse of all the territories was surely no easy feat. Seleucus took control of the conquered eastern empire and managed to hold it through the twists and turns of alliances, marriages and wars in the 20 years that followed Alexander’s death in 323 BCE.
Her familial and cultural connections were likely assets to Seleucus holding this territory in the immediate aftermath of Alexander’s death. Apama spoke the languages and understood all the court customs. Over nearly 30 years Apama and Seleucus raised three children, who were part of dynastic marriages themselves, and continued the dynasty they founded. Apama disappeared from the record around the time Seleucus took another wife, Stratonice, a princess of the Antigonid dynasty of Macedonia. Romantics suggest that it was only after Apama’s death that Seleucus remarried again, and only for political gain. This is suggested since Seleucus allowed his son and heir to marry Stratonice when it became evident that they had a romance of their own.
2. Cleopatra II, Queen of Egypt (2nd century BCE)
It is always tricky talking about the Ptolemies. They all shared similar names and were constantly fighting and making alliances with one another. Also, check out the episode ‘Dysfunctional Families‘ on Two Friends Talk History in series 1, if you’re curious to hear more. Of the Cleopatra’s in this dynasty, I think the famous though lesser-known Cleopatra II was a powerful queen who was dealt a difficult hand but gave as good as she got.
Cleopatra II was born (pre-145 BCE) into a period of war and instability, with two brothers who were frequently at odds with one another. This triad was a pretty dysfunctional, which I talked about in my podcast on their A+ level sibling rivalries. Early in the reign of Cleopatra, the Ptolemaic kingdom was involved in a series of ongoing wars with the Seleucid Empire, which at this point numbered six (170-168 BCE).
Cleopatra II was married first to her brother, the Ptolemy VI Philometor (mother-loving) in 175 BCE. They ruled well together and had several children, though they were essentially always at war with their younger brother, Ptolemy VIII Physcon (fatty). After the death of Philometor, Physcon to wrestle the throne from her which led to a civil war. While she had the stewardship of the kingdom, Cleopatra had been popular with the people, but their warring left her in a dangerous position. To protect her children from her first marriage she agreed to a political union and peace. They were married after 145 BCE and it was pretty rocky, with Game of Thrones levels of twists and turns.
Typically, writers characterise the breakdown of their marriage as some type of jealousy between mother and daughter. I would strongly disagree. After the birth of their son, and Ptolemy VIII’s legitimate heir, he began a relationship with his teenage daughter-in-law, Cleopatra III. Things spiralled into another civil war once Ptolemy also married his wife’s daughter in secret. Cleopatra II raised and army and tried to have her husband killed; Ptolemy VIII fled with his new bride and the children of his sister-wife. Like something out of a True Crime podcast, to punish his sister-wife he had his nephew and next in line for the throne murdered and sent to his estranged wife on her birthday. Obviously, Cleopatra II wasn’t going to take this lying down, and continued to rule from Egypt alone while her exiled husband and daughter ruled from Cyprus from 132 – 124 BCE. This tore the country apart and weakened the empire. Eventually, the three monarchs were forced into a reconciliation, and they reigned together until his death. All. Three. Together.
Cleopatra II had a pretty nightmarish existence by modern standards, but what is fascinating is that through her leadership and strength she gained enough support from the Egyptian people to have them side with her time and again against her brother and managed to rule alone for over a decade. It was very unusual for a queen to manoeuvre a king out of power and hold on to it.
3. Fulvia, The First Lady of Republican Populists (1st century BCE)
This Roman matriarch was a total boss. Criticised for her ambition, publicity and cleverness, Fulvia loyally supported – some suggest manipulated – the statecraft of the Roman Republic. The sign of an interesting woman, Fulvia was maligned by Roman historians and writers as “having nothing womanly about her except her body” (Vell.Pat. 2.74.2). Fulvia was a wealthy and well-connected noblewoman and though constrained by the norms of her day, she was active in politics, commanded the loyalties of street gangs and armies in the Late Republic. Through her three marriages to several of the most powerful and popular Roman political leaders of the first century BCE, Fulvia even went to war against the future Augustus – her son in law! Fulvia is definitely one of my all-time favourites.
Fulvia’s rise to fame was established through her first two marriages to Publius Clodius Pulcher and Gaius Scribonius Curio. Both marriages were cut short by their violent deaths, Clodius by political murder and Curio through military action in Africa. It was her marriage to Clodius that cemented her in the A-list of elite Roman women; Clodius was a massively influential populist leader of the Populares faction (leader of the Plebians). He mobilised gangs and incited violence to suit his causes, seriously aggravating the conservative elite (Optimates) faction, which led to his murder. Fulvia, politically savvy from the start, used her position as the mourning wife of a famous man to show how devoted she was and how his name lived on through her. Every future connection she made drew on the persona she cultivated in the wake of Clodius’ death – that of the dutiful and noble wife. By the time of her third marriage, to Marcus Antonius, she was stratospherically powerful. According to Cassius Dio, Fulvia controlled the politics of Rome through her financial and personal influence on senators and the public.
In the wake of Caesar’s death and Octavian’s ascension into Roman politics, he and Marcus Antoinus and Lepidus formed a second Triumvirate. This alliance was cemented through his marriage to Fulvia’s daughter (Marcus Antonius’ stepdaughter), Claudia. This went south relatively soon after which relations between Octavian and Antonius soured by 41 BCE. Fulvia spoke to senators on behalf of her husband and then raised an army to defend her family’s interests while Marcus was abroad. She worked with Marcus’ brother Lucius to raise eight legions against Octavian to protect her husband’s interests where she felt he was being side-lined. This brought Fulvia and Octavian to war in 41 BCE, called the Perusine War.
Fulvia and Lucius Antonious’ army occupied Rome briefly, though eventually they were forced to take refuge in Perusia. Marcus appeared to be unaware of the conflict, accused in poetry, of all places, of being too busy with affairs in Cappadocia (with Glaphyra) to resolve his wife’s jealousy. The poem is racy but worth having a look (Martial 11.20). Things did not go Fulvia’s way and she had to flee to Greece, where, apparently, Marcus rebuked and abandoned her. Fulvia died soon after in exile in Greece, and the newly reconciled Octavian and Marcus blamed the whole thing on Fulvia. Her legacy lived on in the children she bore in each marriage, and in infamy, as she became the counterpoint to what a “good Roman wife” should be. Appian blames her weakness and jealousy as the cause of the war (B.Civ 5.3.19). From antiquity onwards, Fulvia has drawn the short straw when compared to Octavia (Octavian’s sister and Marcus’ next wife), however I think there is a lot to learn from Fulvia’s reach and impact on the politics of the time. Even though she was not technically allowed to participate, she left her mark and remains one of the few powerful women of the past we know a great deal about.
4. Regilla, Patroness in Greece 2nd century CE
Appia Annia Regilla was born in 125 CE into a wealthy family with significant influence as relatives of the Roman Empress Faustina the Elder, wife of Antoninus Pius. Regilla was 14 years old when she was married to the richest man in Greece, Herodes Atticus, who was 40 years her senior. This was a fairly typical age differential among the elite, whereas the lower classes typically married much closer in age. Herodes served under Hadrian as a prefect of the Province of Asia, then tutored Antoninus Pius’ adoptive sons, the future Marcus Aurelius and Lucius Verus.
When the couple resettled in Greece, Regilla was part of the upper echelon of Greek elites and welcomed into service as a priestess to Tyche and Demeter Chamyne (in Olympia). This priestess position allowed Regilla the unique honour of being the only woman present at the Olympic Games in 153 CE. From her own funds Regilla dedicated a monumental fountain (nymphaeum) in Olympia with a bull statue in her own name and decorated the fountain with statues of the Antonines and her own family. Herodes commissioned an aqueduct to channel water into this fountain.
Regilla commissioned many architectural works that highlighted her family (she had four children with Herodes) and their links to the ruling imperial family in Rome. It was not commonly the case that women would dedicate benefactions in their own names; more frequently these dedications would be in the names of their family or alongside a male relative. Regilla seemed to have her own interests in doing things for herself, acutely acting by her own agency to leave her mark. It’s fortunate she did. In 160 CE, while heavily pregnant, she was murdered by her husband or a member of his household. Her family brought suit against Herodes, as there was no doubt it was not an accident. Marcus Aurelius stepped in and prevented his former teacher’s prosecution and that was the end of it. The following year Herodes dedicated the spectacular Odeon of Athens in memory of his wife, in 161 CE, which still stands today at the foot of the Acropolis. Herodes spent the rest of his life building monuments, giving expensive gifts to religious organisations and inscribing surfaces with professions of his never-ending grief for the loss of his wife. To see photos of the buildings and decorations Herodes and Regilla sponsored, you can check out my post here on Herodes Atticus!
5. Zenobia, Queen of Palmyra
Zenobia was the next in a line of scary eastern queens that shook the Romans in their sandals. Zenobia led a revolt against the Romans from Palmyra which spread into Egypt and Asia Minor and led to war.
Zenobia was married to the Palmyrene chieftain Septimius Odenathus, a client king of the Romans, who was subsequently murdered in 267 CE. Odenathus had kept the eastern Roman provinces together against the threat of the Sassanians, once he died, Zenobia continued this policy and remained loyal to Rome. This change in relationship status allowed her to be the sole ruler while acting as regent for her young son. Once in control of her own court and interests, Zenobia seems to have been a patroness of the arts and literature, creating a court of intellectuals and beacon of culture. Fluent in several languages, Zenobia learned Greek and was given a History of Alexandria by Callinicus. It is not hard to imagine that she was visualising herself as a new Cleopatra VII, since the Romans were certainly projecting that on to her at the time.
When the Roman Emperor Claudius Gothicus died in 270 CE, Zenobia took the opportunity to revolt against the Empire. Emperor Aurelian fought the armies of Zenobia at Antioch and Emesa, then put down her supporters’ rebellions in Egypt.
Aurelian defeated the queen and took her hostage back to Rome. Achieving one symbolic victory over a foreign eastern queen that was denied the Romans when, instead of capturing Cleopatra VII she took her own life in Alexandria, Aurelian paraded the captured queen in a triumph in 274 CE. If we are to believe the Historia Augusta, a problematic source document but cited none the less, the text also suggests that the queen was retired to an estate on the Tibur. Aurelian is said to have praised her intelligence, military acumen and beauty, praising her as a worthy adversary.
What About Other Women?
The daily lives of women in the Roman world are often characterised as within the home. For women of elite social status, that was in a large part accurate, though not the entire story. From wealthy households, low-income families or the enslaved, women in the Roman Empire were skilled in a broad array of professions which might surprise you.
As now, not everyone could be a homeowner or afford staff, fine objects or even decorations of any kind. Those who could afford a home (domus) would use it as part of how they communicated their status to the outside world. A well-off family might display portraits of ancestors (women and men) in the central hall of their domus, in the atrium. How a matriarch ran an elite home involved many staff and servants, and she might have had to do so alone for many years while her husband was away on campaigns, or in advantageous political posts. The matriarch would have been in charge of assets, correspondences, keeping clients connected to their patron and so on. The nuance of ‘a wife’s work’ in this context really extended into areas like accountant, personal administrator, event planner and social networker. The house staff might include cooks, laundresses, gardeners, pastry chefs, spinners and weavers, hairdressers, butchers, cleaners, waiting staff, artists and artisans – if they were having mosaics installed said atrium or maybe a fresco painted on the wall- and the list could go on. Many of these jobs could be performed by women, and this is only a small fraction of the types of employment if you were a freeperson. Enslaved women might do many of these jobs as well.
In antiquity as ever, having educated or skilled daughters was a means to greater financial stability for the family and into their own adulthood or marriage later on. If a woman came from a family in the trades, it stands to reason she would participate in some way within that trade, and thus her knowledge and expertise would increase her desirability as a partner. Pliny the Elder mentions female painters in The Natural History, who were paid and perceived favourably to their male counterparts. He lists several women whose fathers trained them in the arts: Timarete, daughter of Micon was renowned for her panel painting; Irene daughter of Cratinus (a painter), painted mythical characters and daily life scenes; Aristarete, daughter of Nearchus, painted the god Aesculapius. He notes Iaia of Cyzicus remained single but was a prolific painter of women’s portraits, whose talent and expedition were unmatched; Pliny says she was even paid more than well-known male painters whose works filled galleries (HN 35.40.83-87).
With these professional pathways for women in the ancient world in mind, I have created a series of colouring sheets with an activity related to the characters from Vita Romana! If you’d like to explore the different roles of women in the Roman period.
Sources
Milnor, K. (2011). ‘Women in Roman Society’. In The Oxford Handbook of Social Relations in the Roman World. The Oxford Handbook of Social Relations in the Roman World, 2011-02-01, Vol.1. Oxford University Press.
Pomeroy, S. (2009). The Murder of Regilla : A Case of Domestic Violence in Antiquity. Cambridge, MA: Harvard University Press.
Rowlandson, J. (1998). Women and society in Greek and Roman Egypt : A sourcebook. Cambridge: Cambridge University Press.
Whitehorne, J. (1994). Cleopatras /, London; New York: Routledge.
Deciding to listen to the good advice I was given at the onset of embarking on my PhD, I opted to follow the rule: once you’ve submitted something substantial, take a week and decompress. That can mean many things of course. Understandably, long train rides and walking many miles might not be someone’s idea of decompression, but hey ho.
1. Go Find Your Chill
When needing to feel some inspiration, or just wanting a quiet space to draw, museums and galleries tend to be my preferred space to do so. Popping into the Manchester Art Gallery allowed me the rare privilege to see one of my favourite paintings in the flesh – Charles Auguste Mengin’s ‘Sappho’ – which was breath-taking and significantly larger than I’d imagined.
The depth of the darkness in Sappho’s gown cannot be done justice with a digitized image, and the highlights looked iridescent in some spaces. Sappho, so often presented longingly and wistfully, is shown powerful, dark and mourning. Her angst and colour palette was a natural favourite for me in my high school goth years.
3. Nightime Walks and Christmas Markets
While making me homesick, one of the perks of living in the United Kingdom is the on-point Christmas markets. The smells of meat, waffles and mulled wine were amazing. It required all the will-power I possessed not to buy adorable kitsch ceramics, and eat all the treats.
Onward through town we went, eventually settling into a pub near the university. Ample political debates, methodological discussions and general nerdiness ensued.
This might seem fairly obvious, but taking 30 minutes out of the day to have a leisurely coffee or popping into a print shop and finding Liam Gallagher greeting cards (nailed it, Manchester) is sometimes the treat you need to clear your head. It doesn’t have to be a big production, but leaving the to-go cup behind and just sitting in nice spaces with friends (or alone) is one of my favourite parts of a solo journey. Seldom do I plan a trip without packing as much as possible into the schedule, but trying it out this month was really rewarding and relaxing.
Taking stock and heading home, I was thoroughly impressed by the juxtaposition between new and old buildings in the city. There is a lot of effort to create dynamic visual landscapes, which living in the historic neighbourhoods of Edinburgh, I occasionally forget that skyscrapers, tower block flats and vivid colour are normal to see. Shaking off the last few weeks of 14+ hour work days, and stress that ate normal stress for breakfast, I definitely came back feeling more refreshed, and through that, optimistic. Though only a few days, it was a wonderful stop.
Next stop: BRUSSELS! 48 hours later, my partner and I jumped on a plane and were en route to Eindhoven for a week
I wrote a post in July for the 
With many enthusiastic young visitors (and adults!) arriving to the site, the team at Aeclanum put on an awesome display. The efforts made by students and specialists were incredible!
Custom made stamps for the Open Day, each relating to a particular area of Archaeology.
With the conclusion of the excavation, there was a lot of momentum to continue developing the educational and public engagement materials. There are several engagement events upcoming in Italy, helmed by Dr. Girolamo Ferdinando De Simone, which may result in some exciting possibilities for collaborative projects with local companies and schools.
Working in collaboration with Dr. De Simone, on a vibrant image of the communities and natural environment of the north slope, is one piece of the puzzle in developing visual aids to better understand the context of the area during the Roman period. Visualizing the presence of roads, rivers and settlements in the shadow of Vesuvius, shines a light on the areas that have been largely ignored. By creating these new materials, hopefully it will paint a more complete picture of the region and how interconnected the communities were.
The idea of connecting young and old to the history of their region, leaving more knowledge behind than you take away, and continuing to build on the foundations each year going forward, is the approach that I am taking from this year and will bring forward into future seasons. There is much to do and as many approaches as can be imagined.
“I divided the earth from the heaven. I showed the paths of the stars. I ordered the course of the sun and the moon”. (Kyme Aretalogy in honour of Isis)
My Masters at the University of Edinburgh was spent exploring the Greek and Hellenistic routes of the cult, from multiple angles, to start filling in the picture (and creating many of my own pictures).
There are still so many sites, statues, and sistrums to see in my journey into my studies of this Cult of Isis!
ArchaeoArtist 
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