Two Friends Talk History is a podcast where public historian, Zofia, chats with scholars, archaeologists, researchers and more to explore fascinating histories, look behind the scenes and ask the big question that’s missing in much academic discourse: so what? Why is this relevant today?
New Friends on Two Friends
Carrying on from season 1 in which Zofia and Liam explored the ancient world through stories and interviews, season 2 invites new friends to Two Friends. Find me on Instagram at Two Friends Talk History and Patreon at ArchaeoArtist.
In this week’s episode, Zofia is joined by Alexandra Swann for a deep dive into Stoicism the implications of what this philosophy meant in antiquity, and how we can benefit from it now. With the upcoming 1900th birthday anniversary of Marcus Arelius, we ask ourselves (WWMAD?) ‘What Would Marcus Aurelius Do?’ And explore how stoic wisdom guided the Roman Philosopher Emperor.Tangents include Youtube spirals, online conspiracy theories, ancient schools of philosophy, “what ancient philosopher are you?” quiz. Find us on InstagramSupport us through Patreon Buy our merch on RedbubbleExplore more resources and topics about the ancient world on ArchaeoArtistMusic by the wonderfully talented Chris SharplesIf you'd like to get in touch, email at firstname.lastname@example.org Follow this link for Marcus Aurelius my webshop: WWMAD? and Philosopher King
Two Friends Talk History Art
I have been challenging myself with creating the mash-ups in my own digital drawing style but, where appropriate, using the historical style the original image was made in. These episode images are available as mugs, tees and postcards on our Two Friends Talk History Redbubble Shop!
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For anyone who has had to go to Mykonos on their way to Delos, I’m sorry. Mykonos in the modern period has been blessed with Instagrammable vistas, from its white-painted walls with brightly coloured doors, to the overpriced meals, it is every social media influencer’s dream. However, when one is traveling to the nearby island of Delos, a brief stay in the tourist labyrinth awaits.
Thankfully my time in Mykonos, while conducting field work, was brief. To ensure we would be able to catch a ferry crossing to Delos, we planned a day and a half in this little seaside area. With ferry tickets and a frappe in hand, my colleague and travel buddy Ms King and I, set off to the sacred island of Delos!
Legendary birthplace of the ancient world’s deadliest twins, Apollo and Artemis, the island was a sacred site well into antiquity. A historically important trade hub for merchants crossing the Aegean, Delos was a crucial point for the exchange of ideas, art, goods and slaves. The island of Delos itself drew many cults from across the ancient world. Of particular interest to me were the several temples to Serapis and Isis located fairly high up the hill. These newcomers to Delos were part of the expanding religious landscape of the island in the Hellenistic period.
Delos’ sanctity was ensured during the Peloponnesian wars when under oracular guidance the island was required to divest itself of the dead. That is quite uncommon. As is the case now, communities are very connected to their dead. Disturbing graves and reburying the remains on another island seems extreme. Under the guidance of the Delphic Oracle, and just like Disneyland, all of your prayers could be answered; but you couldn’t die or give birth on Delos any longer.
Various leagues were created and centered here to deal with military and political threats, the Delian league during the Persian Wars, and the Nesiotic League during the wars of the Successors of Alexander the Great. It is at this point, during the 3rd century BCE that the island was in the hands of the Ptolemaic Empire and the influence of the Alexandrian kingdom, and its gods was most pronounced on the island.
With more temples to Egyptian gods in one city anywhere outside of Egypt, save Rome, Delos is an interesting location to try to understand the ways in which religious integration occurs and the role in which the urban landscape is a factor.
In 167/166 BCE Delos’ political fortunes changed with the growing influence and meddling in the Aegean of Rome, the island was handed over to the Athenians, who expelled the Delians. As a Roman free port, Delos benefited from the Italian aggression towards competitor cities, until an enemy of Rome sought to disrupt the Republic’s income by sacking the little holy island full of people making money from slaves. The Mithradatic Wars had two waves of destruction in Delos, coming to a head in 69 BCE.
No longer the safest outpost for ensuring Rome’s transportation of slaves and non-human trade goods, Rome made the southern Italian city of Puteoli the new port-de-jour. With that decline and depopulation Delos turned into a relic.
The temples of Isis and Serapis in Delos are built across several phases and interestingly took different forms while they thrived. One associating itself with a more ‘authentically’ Egyptian-style, and another with a more Hellenic-Alexandrian form, they co-existed though not always in perfect harmony.
It was a perfect day to explore this incredible UNESCO World Heritage site, and as I continue with my research, it is always an enriching experience to go to these spectacular sites with my research questions in mind. After a decade passing since my last time here, much remained the same, but due to increased interest in the cults of the Egyptian gods and their relationships with Hellenic and Italic deities, the deities I study tend to get highlighted! The archaeology museum was equally worth the trip to see, with excellent mosaics and gorgeous statues.
The close of a new decade is an inevitably reflective time. The last time the decade turned, I was in my twenties finishing my undergraduate degrees in Vancouver. It feels like a memoir’s worth of writing could barely sum up the last ten years, so I will stick to just one year. 2019 was possibly the most had some of the biggest highs and lows I have gone through in my academic and personal life. Perhaps it is fitting then that at the end of this decade, it was time to go through another life-changing gauntlet of challenges and opportunities.
Travel and Fieldwork
It was a big year for fieldwork. Luckily, that is my reason-d’être for travel. I discovered a few years ago that travelling with a question in your mind makes the whole experience richer and satisfying when you can answer those questions. When I started researching Isis and the Egyptian cults, it became quite consuming and fortunately for me, dispersed throughout most of the Roman Empire. This has been a blessing in most cases, and this year, with one of my dearest friends, we were able to combine forces and research topics to do fieldwork together across much of Greece.
Germany! Mainz and Frankfurt
In January, I popped over to Germany for a weekend to go check out the temple of Isis in Mainz. This site was excavated during the building of a shopping mall, which sits on top of it. A shared temple with Magna Mater, this city had some really great archaeological museums and things to explore. I used to travel alone a lot more, and scooting off for a few days on my own was a lot of fun.
My recent post about Padua highlighted some of the things that made it a delicious visit to one of my favourite countries, but for me, one really lovely part of the trip was getting to spend time around the kitchen table with the family of a dear friend. I miss that part of family life a lot as an ex-pat. I love spending time with the families of friends, feeling the warmth of their love and bonds of family, even doing normal things like grocery shopping and having a cup of tea.
Greece and Cyprus
Travelling together for a few weeks was a blast and we covered a lot of ground. Laying down groundwork for a future co-publication, hopefully, we learned a lot about each other’s research and where it intersects! Greece is a country that formed mythical impressions in our minds from studying these places over so many years, and getting the opportunity to drive to many sites here together was a dream come true.
With some careful planning and Jedi-level budgeting, Briana and I crushed it: Nicosia, Paphos, Palaepafos, Limassol, Mykonos, Delos, Thessalonike, Philippi, Amphipolis, Vergina, Dion, Volos, Nemea, Mycenae, Corinth, Athens, Epidaurus, Pella, Marathon, Nafplio, Sounion and Eleusis!
With so many beautiful locations, and fascinating material culture, I will definitely be posting some cool snaps and historical tidbits about these places in 2020.
Italy: Roadtripping and the Aeclanum Excavation
For the first time since I started going to Italy to try and learn new skills (excavating or public archaeology), I had the good fortune of jointly renting a car with several friends for the duration of our time there. Liberating and exhilarating would be the best summary of that experience. We were able to finally see some of the surrounding areas of Passo di Mirabella, which are incredibly beautiful. I am so grateful for the time I was able to spend with these ladies trying incredible foods, splashing around in creeks, going to ruins and museums and feeling a bit like a kid again!
Launching a graphic novella in Italy!
Vita Romana: at the baths of a Aeclanum was launched this summer in Passo di Mirabella. It was a labour of love that I am super proud of. Completing a project like this was exciting, and working with Ambra Ghiringhelli and Josef Souček- two creative and talented scholars- was so rewarding! With Vita Romana we learned a lot of things about a collaborative creative process, and it would be really cool to work on other stories about Roman daily life!
For the first year in my life, making art was a significant component of my earnings. I still make silly fun things ( #ImSorryChris ) for myself, but between small commissions, selling posters, paintings in Mariachi, and my public archaeology work this was my most successful year as an artist!
Our west coast wedding
One fateful day in the summer of 2017 I proposed to my husband, over a beer in front of the Pantheon in Rome. After a week on holiday of trying to find the perfect moment and location, everything went wrong. Comically wrong. After a cringe-worthy number of failed attempts, the end result was after a week of nearly asking Chris to marry me, I just went for it with a spontaneous and slightly rambling proposal.
Two years later we had our big day in Vancouver, surrounded by friends and family in a gorgeous location, we tied the knot. As a testament to how ridiculous I am and how accommodating my husband is, I insisted on sneaking in all sorts of archaeology and classics-themed elements into the wedding.
We were touched and grateful to have family members and friends from all over the world who joined us for the wedding. My new family, from the UK, got to explore the province I love so much.
With hot and sunny weather August weather, the guests were subjected to volcanic heat during the ceremony! It was a truly happy day, and absolutely impossible without the support of my mom, sisters (Alex and Anaise), father and my tribe of women warriors, mothers and friends. It felt like all these hearts and minds got me to where I am today, pursuing the things that I am most passionate about, married to a wonderful, brilliant man who enriches my life while I chase my dreams.
Following the wedding, there was no rest for the wicked with escape rooms to solve, babies to cuddle and some wee excursions to spend some time with my family. In a exciting opportunity to come to the Sunshine Coast by a private sea plane! We were over the moon to be invited to this beautiful area and hang with my super lovely aunts and uncles. Spending time with friends and loved ones this summer was so restorative and the best part of the whole time in Canada.
Upon our triumphant return to the United Kingdom, we had the ultimate penthouse wedding reception with our incredible community of friends, coleagues and family. It was marvellous.
Manchester & Liverpool
Drawing this year to a close, we decided that connecting with some of our friends who made their way up to celebrate at our reception would be the best way to spend some free time (lol, free time) this winter. We had a magic weekend in Manchester with some beloved friends and colleagues I met in 2013 during our Masters! Manchester is unarguably one of the coolest cities in the UK. It’s got the architectural edge and multi-culturalism that reminds me of Vancouver. With a quick afternoon trip to Liverpool to do some research, we got to cross that city off the list as well. It is always such a pleasure spending time with our pals in Manchester.
As a little treat for ourselves, Chris and I wanted to spend a week in Belgium. Having visited about two years ago to the day, we were stoked to stay with our lovely friends and colleagues in Leuven. The talented Dr Close (Hellenistic History Instagram) and her lovely partner Stijn.
New Year, Who Dis?
It’s hard to believe all of these things happened within the last 12 months alongside school, work, project work at Aeclanum and so on. Like a last grasp at the hectic-life that used to signal to me that I was working hard enough, if I was too busy to blink, surely it meant I was working as hard as possible. Working hard, but perhaps, not working smart. This year was a kind of awakening. For many years I believed I had some sort of super-human ability to multi-task and problem-solve, whatever else was going on in my life, I could get it done. Whatever ‘it’ was. I would just sleep less, or socialize less, or work during other work…the mind boggles how all this made sense. What I discovered, rather late, was that this balancing act wasn’t balanced at all. It was a very typical high-achiever’s cocktail for burnout. Even projects and activities that gave me great pleasure, if they were not my thesis, then it had to go. Coinciding with moving house, this fall was all about starting anew and positively.
This year I am trying something new and sustainable: in life, in art and school, I will pare everything down to a focused and balanced year ahead.
With the 2019 Open Day at Roman Aeclanum, this post reflects on the last three years of public outreach development I have worked on in Passo di Mirabella, southern Italy.
Frequently, I am asked what on earth I am doing in Italy. Why all the cartoons? What’s it all for?
In 2017, I was given the opportunity to work on an excavation with the Apolline Project and the University of Edinburgh in Passo di Mirabella, Roman Aeclanum, as the Public Archaeology Coordinator. This was an new direction for my work with a lot of exciting potential. The hobbies that I naturally gravitated towards ( included travel photography and illustrating, blogging and other forms of social media) coupled with the subject matter I enjoyed (archaeology and art history) formed a useful starting point for conceptualizing how to approach outreach for an archaeological site with minimal public exposure. Over the next three years, I worked towards creating interconnected projects that were designed to start a narrative of the history of the site and began the groundwork for Vita Romana: at the baths of Aeclanum. With support from the University of Edinburgh’s History, Classics and Archaeology department and the Institute of Classical Studies, I have been fortunate to share these public archaeology activities with the wider academic community working in Classical engagement.
Public Archaeology: why does it matter?
“Public archaeology is really just public relations. It is getting the public interested enough to care and those who care interested enough to engage.”
– Dr. Jody Steele is the Heritage Programs Manager at Port Arthur Historic Site Management Authority.
The role of public archaeology, within the umbrella of specialisms of archaeology, is finding relevant and interesting ways of communicating the research objectives and material remains of the site. The sub-discipline is still new, and as such, still strives to justify itself and the importance of the work. Future funders, archaeologists, politicians and so on learn about the importance of heritage as children in most cases and as such, continuing to hone and develop how we deliver these messages about the importance of heritage management and research is fundamental to its continuation. With no exaggeration, if people are not engaged and well-informed about the importance of archaeology, it simply won’t happen nor will it receive funding.
Running a public archaeology programme or project requires marketing and public relations work, it also is heavily reliant upon the skills, expertise and historical knowledge of the individuals behind the work. By focusing first on the relationships within the local community then translating those interactions and efforts more broadly, we managed to do some pretty cool and unique things!
These ideas were articulated by our site supervisors this summer in a video made by one of our student volunteers, Jazz Demetrioff. The research objectives set at the onset of the excavation shape the direction the excavation and thus outreach will take. The research questions are answered over the season through the material culture and structures discovered. I have spent a significant amount of time thinking about and trying to articulate why public engagement matters, and how the projects I have had the fortune of working on in Italy are helping me plan future outreach projects.
Public Archaeology in Aeclanum: 2017-2019
First Year: 2017
The formative work with the archaeological site of Aeclanum was a mixture of reconnaissance and coming up with a cohesive set of materials we could begin presenting to the local community. When we arrived there was one pamphlet in Italian with very technical (scarce) archaeological maps, and no site signage or historical narrative for the site. The first steps, then, meant creating some basic materials for young visitors!
Second Year: 2018
We produced outreach materials that focused on the multi-phase bath complex and the role of public bathing in Roman daily life. This included posters for adult audiences and young visitors to the site which reflected the finds that were excavated in earlier campaigns and the current research. A particular favorite was the marble map game, which encouraged kids to explore where the marble in Aeclanum came from! We updated the game in 2018 to include further details like marble traders across the Mediterranean!
Neratia’s Lost Ring: at the baths of Aeclanum
Emily Johnston, an excavation supervisor, worked on a public outreach project with the Apolline Project for 2018, Neratia’s Lost Ring: at the baths of Aeclanum. This exploration of Roman baths in a short-story format, allows the reader to get to know the space and customs as experienced by Neratia (wealthy patrician’s daughter) and Caius (freedman’s son). As the narrative follows the youths trying to find Neratia’s missing ring, the mechanics of the bath complex are explained. I supplied a few illustrations for her story, which were linked into the graphic novella! We are hoping to launch this short story for winter, 2019.
The graphic specialists on site, Lucia Michielin and Josef Souček, worked with me across almost every peice of art that was used for outreach. Their talents were widely appreciated, like finding a pretty rock but not realizing it was a gem till it was polished. Their skills with creating scientific panels based on the research, articulating the architectural findings and included 3D reconstructions of the significant archaeological structures reconstructions were essential to my comic renderings for Vita Romana: at the baths of Aeclanum. Due to the topography of Aeclanum, the bath excavated bath complex straddles a sloping hill and as such has distinctive buttresses, which when digitally rendered, provided helpful insight on how to include the city scenes around it.
Third Year: 2019
With the first two phases of outreach work at Aeclanum complete (panels, the short story, scavenger hunt and educational games), the next phase I was most interested to explore was getting feedback from the community and channeling this into a project that could capitalize on the knowledge of the team of specialists on-site and include up-to-date site interpretations, woven within the comic narrative. By concluding the 2018 outreach season with a survey and vote by the children from the local community who decided which style I would be drawing the comic in, I had my marching orders to get to work on the comic!
With Vita Romana, I wanted something that might help spark imaginations about how big and interesting this city was during its heyday through a stand-alone story, but grounding it in the real-world buildings and materials of Aeclanum. Also, I had never completed a comic book before and this was a challenge I wanted to dive into!
Vita Romana: at the baths of Aeclanum
Getting the gang together remotely meant that there was revisions and frequent dialogue. Ambra Ghiringhelli was like a fish to water getting the text written with care and historical consideration! Using an a-typical approach of having the storyboard roughed out and the text done afterwards, it was fascinating to see what joke she would come up with to match one of Neratia’s smirking faces or the right tone for a teenage daughter giving her mom some sass.
As this was my third year working with Josef, I couldn’t be more grateful for his ongoing collaboration. With his eye for details and in-depth knowledge of the subject matter, I could rely on him spotting all sorts of tiny details (and errors) that improved the whole project immensely. All of the images were sent to him to do his digital magic, fixes and formatting. You would be surprised how much work goes into making a comic look like a comic.
The breadth of things to consider when trying to create a graphic novella attempting to be rooted in archaeological and historical accuracy is astounding. This project has taken me on some really exciting turns which inevitably has meant that I am always learning, always questioning and trying to find evidence for the scenes I am creating.
The majority of influential imagery or material culture references were derived from the collections at the Museo Nazionale, Naples and the frescoes contained in the archaeological parks of Pompeii and Herculaneum. Social media outreach for these sites has been invaluable! With new discoveries coming all the time from Pompeii all the time, by following their Twitter and Instagram, I was able to integrate some of these exciting new finds into Vita Romana. Though Pompeii was covered by Vesuvius by the time our story in Aeclanum would have taken place, the tastes and styles used in decorating homes in these cities could easily be replicated by artisans in communities like Aeclanum. Indeed, the riches of Aeclanum could be much more akin to those at Pompeii due to their size and places along the road networks.
We had a great turn out this July at the comic launch, with hundreds of people visiting the archaeological park! The children’s scavenger hunt activity led them around the site using our third version (a self-directed version) of the archaeological passport as their guide. With Ferdinando crafting the texts and dealing with the translation needs, these materials will hopefully get English versions for download on Archaeokids!
They were asked to find the significant landmarks on the site with general information about their use, and fill out a letter which would lead them to the office piazza that contained the lost doll of Neratia Secunda, completing the narrative in the real world which is introduced in the passport. Once the children completed their scavenger hunt, they received a copy of Vita Romana: at the baths of Aeclanum, whose printing was generously funded by the Institute of Classics Studies (ICS).
The Road Ahead & Archaeokids.com
Seeing this stage of the journey come to a successful conclusion was pretty amazing. I’ve worked with some amazing people and had an incredible opportunity to have so much freedom to explore the ancient world in my favourite medium. The next steps ahead will involve working with the data collected from the launch, and an article which will be interesting to write this winter.
As always, I look forward to challenges and adventures ahead! Ferdinando and I are continuing to find new avenues to create and highlight the public archaeology work that started in Aeclanum and is expanding to other sites!
Whether it is your first time on an excavation, or another chapter in your journey of archaeological field or laboratory work, fellow archaeologists, students and specialists have channelled their experience for you!
Since beginning my journey in 2008 with field schools, excavating and studying abroad, I have progressed along in my journey from dig student to project manager. There are always so many more skills to learn and wonderful experiences to share. As the following list items will show, there are some handy things to bring on a dig, while others you can pick up wherever you are doing field work and save yourself the bag space!
10. Start with a good rucksack. Your journey begins by investing in something that is comfortable and that you can move with minimal effort. Big wheelie bags can seem easier, but if you have any major walking to do, or plan to travel afterwards, aim to have something you can easily move and ALWAYS be able to lift it yourself. I have helped many a random traveler over the years because they couldn’t manage their own luggage.
The weekender (1) is good to bring along with you as a personal item so
you can spend a night or two sightseeing while you are on an excavation
season. The fortnight (2) can cover a two week dig, but if that is all
you are packing, pick up towels/toiletries in the location you are
ending up. The month-long (3) should be spacious enough for all your
necessities and still leave you enough space for souvenirs.
9. Doing your research pays off. Buying your gear off-season is always significantly cheaper. If you cross-check prices on a few different sites once you find a bag that catches your eye, you can often get it for a fraction of the cost. The three rucksacks pictured above were each 50-70% off, totaling £110.00 for all three!
8. Pack for the job you have and the experience you want. My packing list might look a little different than yours might this season, as a big part of my work tends to be organizational (project management) and art /writing (public archaeology) . However, there are some basics for organizing your belongings that are handy no matter what your role on a dig. Organizing by theme, by grouping what those needs are into little related clusters/packing cubes can help you avoid losing things or over-packing. Prioritizing what is a must to bring, and what you can probably just pick up at a shop when you arrive, will keep you on track. Pro-tip: bringing a small bundle of elastic bands and some Ziploc bags helps to compress your belongings in for space (or keep gross things away from nice things) by doing that Marie Kondo style roll, held with a rubber band will do the trick. Packing cubes are quite helpful, as once there you won’t have dressers to put your things away in, and some semblance of organization may spark joy.
Field Gear: Rules and regulations vary by country and sometimes site, but these are some general principles from my experience in Italy. Full-length trousers and steel toe boots are required for excavating. No exceptions. Trench supervisors will check this type of thing, since foot protection is a site safety issue. What styles of boots and trousers is entirely up to you. Long sleeve shirts are going to keep you from becoming a lobster, and a good option for layering between chillier mornings to hot afternoons.
From Primark to Jack Woolfskin, it’s up to you and your budget. There are frequently low-cost options highlighted on online shops, but comfort/breathability are pretty important. Quick dry (wicking) options make laundry less of a chore, especially in Mediterranean heat you can dry your washed clothes in 20 minutes. Pro-tip: break in new boots before arrival to avoid blisters and Merino wool socks help protect your feet from over-heating, wicking away moisture and avoiding odor.
Optional items: Fancy kit and tools is unnecessary for first-time excavations, as the programmes will provide the tools you need, mostly centrally-held by a trench supervisor. You can buy little handy tools and so on, but it is likely to go unused and just adds weight to your luggage.
Not all trowels are made equally. My favourite is the WHS trowel. It is a British design that feels good in your hand and has a lot of durability. I prefer the soft-handle WHS trowel, but many others like the wooden handle. You can check out dig tools on the Past Horizons website: here or Strati-Concept: here. Order your kit several weeks before you expect to head off to dig, because having mail sent to you.
7. Working in the sun safely. Suncare products should be rigorously applied and re-applied throughout the day, especially after sifting for an hour and pushing up your 20th wheelbarrow to the spoil heap. Hats are a must, and shirts with built-in sun protection or that are at least long enough to cover your skin are essential. Staying hydrated is going to be paramount if you plan to get the most out of your field work experience and avoid overexerting yourself. Safety is always the most important thing.
6. Tech: should it stay or should it go? Working on my thesis and part-time job while on excavation means that a lightweight tablet-laptop hybrid is essential so I can take my work with me. The DSLR is also part of my art and field work kit for my thesis and public archaeology. I still optimistically bring dig boots and a trowel every year but my path has diverged slightly from within the trench to working on public engagement. It is worth considering leaving your expensive tech at home if you don’t really need it. I.e, if you aren’t writing a PhD or Masters, you actually may have the summer off, so why not enjoy it? Kick back with a kindle or a real paperback and soak in the sun or debate the classics over wine with fieldwork colleagues!
5. Entertainment itemsare important additions to your time away on excavation. If you enjoy photography, bring your camera. There will be amazing moments that you will capture through the camera lens that you will enjoy reflecting on. If you are an artist, bring a travel sketch and paint kit! Bringing something small for your downtime, that is still social, is a great way to meet new people. This is a great opportunity to try travel blogging or leveling-up your Instagram game. #DigSeason #ArchaeologyLife #QueensOfTheLab. If after a full day of working with others you would prefer some quiet time, ebooks and headphones are a good (lightweight) idea, as there will be plenty of time to rest and relax. Tech-tip extra: multi-plug usb and universal adapters will save your life. Most dig houses have limited plugs, and 50 people needing to charge their phones can be hard to accommodate.
4. Working with injuries and staying healthy. Many of us have bad knees, sore backs and a host of other potential aches and pains. Knee pads are a must if you have any knee problems, but even if you are blessed with injury-free knees, they are a huge help for long periods of kneeling on hard surfaces. Necessary medications should be brought with you, you might find it hard to find an Italian equivalent. Things like painkillers and hydration aids are commonly available and not challenging to get a hold of. Keeping healthy extras: bug spray, flip flops (for showers), bandaids (plasters) and hand sanitizer/hand wipes are cheap as chips and good to have in your pack.
Hydration in high temperatures is tackled by investing in good insulated water bottles. Gulping down a mouthful of hot water is not the most refreshing while working, so insulated water bottles can keep your drinking water chilled for several hours. I typically have two with me and there are all sorts available on Amazon.
3. Mental health and wellness while working abroad. Excavation situations abroad can be full of life-changing experiences and new friends. They can also be very stressful, living with 50 strangers doing manual labour in a foreign country where you may not speak the language. This might be the first time experiencing a shared eating, washing and sleeping space. Even for those who are not shy or prone to a bit of social anxiety, this can seem like a pretty intense prospect. However, it is incredibly common to feel this way, and there are some great relaxation and mindfulness approaches to help and get the most out of your time abroad!
This might require you to actively seek some time alone on a walk, write in a travel journal to reflect on some of your experiences and don’t be afraid to carve out the time for you that you need to feel rested. If you are lucky enough to be working in or near a town, grabbing some colleagues and having a cheeky dinner out together is a nice break from the larger group.
2. Be open minded to new cultures. If this is your first time abroad or just in the location you will be digging, it goes without saying that you will encounter customs that are unfamiliar to you. Much of what you read online can be quite negative. If you read about places like Naples, there are a variety of opinions that are often quite apprehensive. Treat everything you read with a grain of salt. Some people have had bad experiences, but like all travel a trip is as good as you make it. If you pack smart, don’t flash your valuables around and keep important items secured, you should have no problems. Just as traveling anywhere, train and bus stations are not safe places to hang around full stop and often give a slightly grim impression. Take a breath, chill out and be smart.
Things [in Italy] run a little differently and certainly much slower than many of you will be used to (which you may not like at first), but if you are patient and keep an open mind you will find the beauty within the relaxed style of living, vibrant and passionate people, delicious food, and charming architecture.
Rather than looking for what is familiar, you are perfectly poised to learn new things about yourself and the world around you. Breaking out of your comfort zone by trying new foods, talking to locals and getting to know the culture and history of the place you are going to spend a few weeks or a full season excavating in is incredibly rewarding.
An Archaeological mindset, positive attitude and a trowel. Really there isn’t much else you need.
You have an incredible opportunity ahead of you. Everyone will have different backgrounds and varying amounts of experience, so use that to your advantage! Ask questions on and off site. You can learn so much from everyone around you. Many people will be coming to your dig without knowing anyone. Don’t be afraid to start a conversation with someone, they are likely in the same boat as you! If you are coming with friends, branch out and include others!
Many thanks to the feedback from students: Alex Slucky, Caity Concannon, Chanchal Rm, Erik Niskanen, Jazz Demetrioff, Jessica Staples, Kathleen Emily Ann O’Donnell, Max Ratcliffe, Mickey Ferguson, Emma Watts. With special thanks to Briana King for modeling gear!
Thank you for checking out my blog and have a great field school and excavation season!
Change in life, travel and work are always inspiring to me. With this excavation season, there were several developments in the programme which have already opened many doors. Pushing ourselves towards new skills and challenges, the team that came back together this year is working harder than ever to support the students and in our research. The 2018 dig season at Passo di Mirabella kicked off several weeks ago and for returning students and staff, and after an intense first year in my PhD, it was a pretty great feeling to get back to the site. With a few of us in different positions this year and including a new field project manager (Allison Kidd), and myself moving into project managing off-site alongside the Public Archaeology coordinating. The organizational flow appears to be working well already! The ethos of this excavation is generally oriented away from hierarchies but having people in place to provide additional support in a few key areas has made a big difference!
Getting back to work
The expansion of the programme offers a broad array of activities, and this year we have even more students coming for specialist training in pottery, osteology, epigraphy and, of course, longer-term excavation training. Public Archaeology appears to still be a bit of a mystery to students, but maybe one day I’ll have my own little troop to work with, but until then, I am always grateful for the occasional drop-in helping with drawing, activity planning and brainstorming. My youngest volunteer was arguably the most focused and enthusiastic public archaeologist yet! New teams of students and supervisors are working hard, but also trying to share their experiences via social media. Posting about their experiences on Facebook, Instagram and through personal blogs, students are engaging with the work from a digital perspective while keeping it interesting for their audiences!
Research and Public Archaeology
This year marks my third season with the project, and second in a Public Archaeology role. It is another ambitious year. I have been working on new activities which aim to bring the participants closer to the daily life of Ancient Romans. This year we have been able to jump ahead towards more sophisticated engagement materials, since we are able to build on the work from last year.Through regular social media updates, my work has been in part illustrating, but the overarching plan for the Open Day and further research is focused on asking questions relating to pedagogical approaches that will be answered via through educational posters and games during the Open Day. The data collected will be assessed in a follow-up project I am working on in the last fortnight of the excavation season. The games and learning materials bridge modern audiences (specifically children but also to encourage adults as well) wtih themes like international trade and community within the urban spaces of Aeclanum. Through a close collaboration between myself (project development and art direction) and the brilliant GIS and digital graphics team (Josef Soucek and Lucia Michillen), and our field directors, Dr. Ferdinando di Simone and Dr. Ben Russell, we are producing materials at a rapid pace entirely in-house, which is unique in my experience and really allows the Aeclanum project to break new ground in terms of outreach. By linking our outreach materials to new research we are undertaking on the site annually and adapting our creative materials to reflect the developments in these research questions, we can integrate students with related research and skills into the work we are doing.
The Open Day is a few weeks away still, but at the rate the students are excavating, we are certain to have an even clearer image of the stratigraphic processes in the trenches, and what this seasons’ research will be able to elucidate before the end of the season.
If you are going to be visiting Paris with the expectation that you are going to visit the most romantic city on earth, then this is not the list for you. I am just going to assume you will walk along the Champs–Élysées, check out the Eiffel Tower and Notre Dame, so you won’t find those things here. After half a dozen visits to this incredible city, there are some things I think are always worth a look, a re-visit, others to skip. A short trip to Paris can be incredible and dare I say, even relaxing, if you plan to take in sites in between promenades, and cheeky drinks along the Siene and let the ambience take over.
How to MuseumThere is a fine art to going to see art. Nothing makes you unhappier faster than being hangry, sore and tired and shuffling around a palace full of art – much of which looks basically the same. As someone who travels to see museums and archaeological sites exclusively, I double down when I travel alone and see as much as possible, but if there is another human with me, I (grudgingly) stick to a one large museum a day rule. As tempting as it is to visit a few together to save time, it diminishes your ability to appreciate and enjoy them. Breaking up the visits means you won’t literally run through rooms of incredible art just to sit down. I know there are only so many paintings of the crucifixion you can take in on any one visit. Don’t make seeing this stuff a performance of penance.
1. The LouvreI know what you are thinking; OBVIOUSLY you will be going to the Louvre. However, you will never see everything in the louvre, so don’t try. Rather, pick two themes that interest you; Greco-Roman statues and Near Eastern pre-historic art? Tapestries and Medieval painting? Sure, you may not see every highlight, but by focusing on things you are interested in versus what you ‘should’ be seeing, you will likely enjoy it more.
Pro tip: visit the Louvre in the evenings if you can since it is significantly less busy then, and you have the Venus di Milo all to yourself rather than struggling to find a spot in between tour groups. Wednesdays and Fridays the museum is open until 10pm/ closed on Tuesdays.
2. Musée d’Orsay/ Musée Orangerie For relatively more modern pieces of art, the impressionist painting collection of d’Orsay and Orangerie are worth the visit. If you’ve ever been curious to see the ‘L’Origine du monde’ (Origin of the World), now is your chance! If you are lucky enough, there might be some performance art happening there during your visit! Both buildings are gorgeous, and worthwhile for a visit. Places for good eats: Eric Kayser Artisan Boulanger & Cafe de la Nouvelle Marie
3. Place de la Concorde For me, nothing says going to Paris like staring at some Aegyptiaca. The big attractive Obelisk of Luxor and ornate fountains symmetrically placed at the center of Place de la Concorde, with Egyptian-styled decoration throughout the square is an interesting throwback to France’s imperial days. The site of execution of Louis XVI and Marie Antoinette, among many others. Surrounding crowds of jeering revolutionairies cramming into this space – briefly named ‘Place de la Révolution‘ during this period- is a viceral mental image of social and political upheaval to conjure.
4. Musée de Cluny (Musée national du Moyen Age) The museum de Cluny is full of art and artefacts from the Middle Ages, as you would expect from the name, but part of the treasure of this place is the building itself, built atop a Roman bath which you can see in the basement, the higgledy-piggledy building features of the exterior are sort of charming.
5. PantheonThe Pantheon feels as far away from its Roman predecessor as one could find; a monument to the civic spirit and fraternity of the famous French individuals. Once a church, a ruined abbey of Saint Genevieve, re-created by Louis XV in the mid-1700s. Interred within the Pantheon are the remains of Victor Hugo, Voltaire, Rousseau among others. There is something quite unique about such a ornate resting place for writers, philosophers and poets – secular heroes seldomly receive this type of hagiographic treatment.This area is great for wandering and grabbing a coffee and these sites are only 4 minutes walk from the Musée de Cluny. If nothing else, there is a famous macaron shop nearby which is worth the visit. Sweet treats near the Pantheon: Sebastien Degardin (Patisserie de la Pantheon) and La Macaron Laduree Paris.
6. Montmartre and Sacré-CœurThe stairs leading up to Sacré-Cœur and the Montmartre are the devil. It is a beast to get up to the top, but don’t cheat and take the funicular. It’s good for you and will build character.The neighbourhood around the basilica is lovely and winding, with a large number of cafés and restaurants priced to keep the likes of me away. Atmospherically, it’s a an area with a relaxed vibe. There is often music floating around by street performers, interesting architecture and artisans with a plethora of stalls selling their paintings/prints. Stopping in at a café with a decent view, this is one of my favourite areas to sketch urban life scenes.
7. Versailles Jumping on the a few metros and RER train out of town, visiting the Palace of Versailles is a pretty solid day trip. Built up from a swamp around his family’s hunting lodge, Louis XIV captured all of France’s nobility in his guilded cage of Versailles. Through elaborate specatcles to entertain them whilst there, and incredibly pedantic and restrictive court etiquette, Louis was gaslighting the French aristorcacy until they competed with eachother to help him put on his pants or use the toilet, as a sign of his favour.
There are so many architectural and decorative wonders in the palace; the public spaces like the Hall of Mirrors and each private room you amble through unveils small reminders of the period where Europe’s most influential art and fashions were being created in Versailles.
In addition to the historical interst of visiting Versailles, the grounds are exquist if you are partial to a manicured garden. Next-level landscaping. The fountains, which were unable to all be used at the same time in his life-time, now put on incredible water shows to classical music. The small cottage of Marie Antoinette in the gardens, the Hameau de la Reine, has lovely neo-Classical temples and picturesque views for some quiet contemplation and maybe some cake.
8. Musée d’Archéologie Nationale, Saint-Germain-en-LayA 40 minute ride on the RER, and you end up in the suburb of Saint-Germain-en-Lay, about 19 km west of Paris. There are nice gardens around the Château de Saint-Germain-en-Laye which house the archaeological collection, that offer a nice picnic space to nap post-Museum.
This is not a journey I would suggest if you have just a few days in Paris, or if you have never been before since there is so much to see and do in the city center. However, if you’ve seen the main sites and are looking for something different and a little quieter/less busy, this would be a worthwhile visit.
9. Spend as much time as possible picnicking and drinking wine along the Seine
I don’t know how much needs to be said on this, but most of the best moments I’ve shared in Paris, with friends or my fiance, have been taking some wine and picnic down to the Seine and hanging out in the sunset. As one of the busiest European tourist destinations, it can be hard to find places to just chill out and take in the majestic views (for free), but along the river you can have all those deep talks, relaxation and watercolour painting opportunities.
10.Make some art!
A small travel kit of water colours and watercolour brushes in tow, and you’ve got the makings for an art filled break. Even if you aren’t sure you are going to be a Renoir or Monet, a cheap and portable set of paints and watercolour pen can be the best companion on your trip. Unlike a photo, trying to make a small artistic rendering requires looking a little differently at the world around you, and a slower pace. Your mom will totally put your painting on her fridge.
Bars and nightlife
The Strasbourg St. Denis area is great for bars, chilling out till the wee hours with the unusual opportunity to hear French being spoken all around you. Nice space to unwind with decent food prices in this neighbourhood.
The Paris Pass
The Paris Pass is a great purchase; after a visit or two to the big museums, it will be evident that this little pink pass has paid for itself. Click here for a link.
There are many ways you can get into the city-center from the airport, but I tend to use the tested and true coach buses. It can be about €15.00 approximately. Click here for a link to a summary site on the transportation options.
Some nice spots to stay in town:
This AirB&B accomodation was an aboslute gem on a research trip last year, small but fully functional and very well situated. Just 10 minutes or so from the Louvre and Musée d’Orsay, with many small bakeries, grocery stores and bars nearby.
Hostel Oops is a throwback to my backpacking days, but it’s cheap(ish) and really bloody cool inside as hostels go. Right in the Latin Quarter next to some movie theatres and other fun establishments. It need not be mixed accomodations with strangers, as they have some private rooms, but that’s not as much fun…until you are 25.
Deciding to listen to the good advice I was given at the onset of embarking on my PhD, I opted to follow the rule: once you’ve submitted something substantial, take a week and decompress.
The first few months of my PhD have been a whirlwind of new ideas, late nights and piles of reading. It had been three years since I’d written anything so formal, and the gap in between was noticeable. Like an unused muscle, my writing felt crampy and good for only one lap or two around the court. Though working old muscles can be exhausting, diving into the subject that you love is enjoyable and invigorating. After several years of wanting to spend my daylight hours working on something interesting and challenging, the last two months have sped by. With the completion of my first review submission, there was no shortage of things to work on and develop.Deciding to listen to the good advice I was given at the onset of embarking on my PhD, I opted to follow the rule: once you’ve submitted something substantial, take a week and decompress. That can mean many things of course. Understandably, long train rides and walking many miles might not be someone’s idea of decompression, but hey ho.1. Go Find Your Chill
Normally, I am the last person to take advice relating to self-care and relaxing (shudder), but I thought, ‘why not’? Four hours after submitting my work, I jumped on a train to Manchester to visit a couple of wonderful friends who I met during my MSc at Edinburgh. My wonderful hosts, both a current and future PhDs, welcomed and showed me their adopted city. Manchester was a beauty. With plenty of time to explore the downtown and no particular agenda, other than seeing what they love about it, I could relax and take it all in.
2. Take in a Bit of Culture
There is something restorative in going to art galleries, museums or creative performances. Even if you don’t necessarily like the art on display, just seeing what creative minds have been/are up to can take you outside of yourself for enough time to relax a bit. At least until the next “BREAKING NEWS” alert on your phone goes off. When needing to feel some inspiration, or just wanting a quiet space to draw, museums and galleries tend to be my preferred space to do so. Popping into the Manchester Art Gallery allowed me the rare privilege to see one of my favourite paintings in the flesh – Charles Auguste Mengin’s ‘Sappho’ – which was breath-taking and significantly larger than I’d imagined.The depth of the darkness in Sappho’s gown cannot be done justice with a digitized image, and the highlights looked iridescent in some spaces. Sappho, so often presented longingly and wistfully, is shown powerful, dark and mourning. Her angst and colour palette was a natural favourite for me in my high school goth years.3. Nightime Walks and Christmas Markets
Walking around at night when travelling alone isn’t always the safest choice, so when I have the opportunity for company, it is an excellent way to see another side of a city. As this was my first time in Manchester and it coincided with Christmas festivities, strolling around the streets at night was especially lovely. While making me homesick, one of the perks of living in the United Kingdom is the on-point Christmas markets. The smells of meat, waffles and mulled wine were amazing. It required all the will-power I possessed not to buy adorable kitsch ceramics, and eat all the treats.Onward through town we went, eventually settling into a pub near the university. Ample political debates, methodological discussions and general nerdiness ensued.
4. Treat Yo SelfThis might seem fairly obvious, but taking 30 minutes out of the day to have a leisurely coffee or popping into a print shop and finding Liam Gallagher greeting cards (nailed it, Manchester) is sometimes the treat you need to clear your head. It doesn’t have to be a big production, but leaving the to-go cup behind and just sitting in nice spaces with friends (or alone) is one of my favourite parts of a solo journey. Seldom do I plan a trip without packing as much as possible into the schedule, but trying it out this month was really rewarding and relaxing.
5. Reflecting Taking stock and heading home, I was thoroughly impressed by the juxtaposition between new and old buildings in the city. There is a lot of effort to create dynamic visual landscapes, which living in the historic neighbourhoods of Edinburgh, I occasionally forget that skyscrapers, tower block flats and vivid colour are normal to see. Shaking off the last few weeks of 14+ hour work days, and stress that ate normal stress for breakfast, I definitely came back feeling more refreshed, and through that, optimistic. Though only a few days, it was a wonderful stop.Next stop: BRUSSELS! 48 hours later, my partner and I jumped on a plane and were en route to Eindhoven for a week
October in Scotland has been, on occasion, described as so windy, “it’ll cut ye in half”. Locking myself indoors over this month to re-learn how to study has arguably been made easier by the poor weather. With the first month of my PhD done, and the piles of books I need to read steadily increasing, a kindly offer from my incredibly talented and successful bestie from Vancouver, to meet in Nice for a weekend, was pure class.
Place Massena et la Fontaine du Soleil.
My last rendezvous with Nice was in 2008 (the youthful and relatively tattoo free main picture dates to then); the sights and smells of Nice are summed up for me by ‘ça m’a marqué’. To walk the Promenade des Anglais again in the October sunshine was a welcome change of study space.I wish I could say that I studiously read up on much of the history of Nice, but that would be a lie. We came for sun, beaches and the famous cuisine that characterize this gorgeous little spot of paradise.The open-air markets had spectacular varieties of sea salts and spices, with dried herbs and lavender filling the air in the narrow winding streets.
A picnic of local specialties
For a few short days, the ambling life was pretty spectacular. But the itch to see some of the ancient history in Nice was more powerful than delicious paté and fancy cocktails.
Site Archéologiques de Nice-Cimiez
Though in the city centre of Vieulle Nice the shops and amenities were all bustling, Sunday morning in the outskirts of town was effectively closed for business. The imperative task of finding coffee and croissants before exploring Roman ruins was nearly impossible. Eventually, we secured essential pastries and found the archaeological site of Cemenelum. The hilltop archaeological park is situated in the fairly posh and residential neighborhood of Cimiez, and contains a small but interesting portion of the Roman baths.
Eastern bath complex
This Roman city was built not far from an established Greek city, Nikaia, and under Augustus, it became the capital of the province of Alpes Maritmae, with occupation and development into the 4th century AD.
Western bath complex
The bath complex and partial roads that remain were part of a bustling military encampment, servicing the legions as they passed through or remained stationed there. Some estimates have placed the inhabitants at 10,000, with a decent amount of seating in the amphitheater, back when it still had seats.
The face of habitation changed over time, and even with incursions from hostile tribes, Cemenelum maintained a community of Christians into the 7th and 8th centuries AD. The evidence of this phase is present in the houses that were built into the abandoned baths.
After a solid hike up to the site, it was time for a few remaining hours on the beach, and one last swim in the Mediterranean. With the first month of my PhD over, and the piles of books to read getting ever higher, a sunny weekend of ambling around in Nice was the perfect excursion as fall quickly turns to winter. Merci pour ce merveilleux voyage ma chère amie! A la bientot!
“I divided the earth from the heaven. I showed the paths of the stars. I ordered the course of the sun and the moon”. (Kyme Aretalogy in honour of Isis)
Since backpacking in Europe in 2001, I have been drawn to images and archaeological sites relating to Isis. There are some things that just strike the right chord for you. My first experience with Isis (in a Greco-Roman style) was at the Capitoline Museum in Rome.
The statue fit my understanding of what classical sculpture was, and simultaneously had something a bit unusual. The features were so exquisitely carved, and the goddess’s accoutrements were unlike anything I had seen before. While visiting Pompeii during the same trip, I didn’t quite make the connection between the figure in the statue that I’d seen in Rome and the temple in which I had been standing.
During my undergraduate studies, I came across her again while reading Lucian’s ‘Metamorphosis (The Golden Ass)’. My attention was drawn to the way that Lucian described the power of this mysterious foreign goddess. What was so brash about Lucian’s novel was how much he subtly revealed, through winks and nods, about the mystery cult. He described esoteric celebrations, events and magical healing, all the while saying, ‘but it’s a secret, so I can’t really talk about it’. The story is familiar, in a Shakespearean kind of way, through all the hubris, metamorphoses, changes of fortune, and bawdy humour.
I was fascinated by this religious movement and how it functioned within the religiously pluralistic Roman society. Isis and her cult would ultimately provide some of the foundation of early Christian practices such as baptism, in addition to the depictions with Horus (the infant nursing on her lap is a dead ringer for the baby Jesus), presaging the metamorphosis into the Virgin Mary.
Jumping in with both feet, I was excited and wanted to understand more about this deity. However, my introduction to the topic began at a much later point in the history of the Cult of Isis; to understand the cult and its significance, I would need to go farther back and approach it more broadly.My Masters at the University of Edinburgh was spent exploring the Greek and Hellenistic routes of the cult, from multiple angles, to start filling in the picture (and creating many of my own pictures).
Isis’s power as a deity in Egypt rested in being the wife of Osiris and mother of Horus. She bridged the continuity of kingship from one king to his descendant. Her original function as the literal and symbolic role – as the throne and king-maker in Ancient Egypt – changes quite dramatically once the cult is exported into Greece and Italy.
While the period of Isis worship in the pre-Hellenistic era (before 323 BCE) is interesting, what has captivated me more specifically is what happens with the cult in the Hellenistic-to-Roman period. Like a character from Sailor Moon, she gained many headdresses, wands, tools, and visual associations with other deities (Demeter, Aphrodite, Athena, Nike).
This is the period that I focused on during my MSc, researching the symbols and iconography over time, with an emphasis on the tiny figurines used in her worship. What I discovered was that her strength was in her flexibility. Her image could be adapted to all needs, wants and interests. She could be a local or international deity. She could be closely affiliated with a particular ruling dynasty, or one specific location.
Another investigation looked at the cult’s relationship with Athenian government in Delos, and some of the territorial quarrels that occurred between temples run by different factions on the island. The evidence of a push and pull scenario between Delos’ new overlords (the Athenians) and the previous residents, in the mid-second century BCE. Running cults was big business and politically useful to establishing ones career, and the Athenians had no interest in allowing an Alexandrian ‘Egyptian’ to maintain a monopoly on the worship of Isis in this economically powerful port.
While few temples of Isis remain in even remotely good shape, Pompeii possesses on of the most famous examples.
Pompeii had one of the best-preserved temples (though most of the decorations were long since removed and put in museums). It was fascinating to see the spread of Egyptian-looking artefacts which tend to denote cult membership. The items that were recovered from Pompeii are varied and showed decorations and materials of incredibly high quality that were made for, and used by, the Temple of Isis.
Another leg of the journey in my first large research project involved a trip to Palestrina (ancient Praeneste), some 40 km east of Rome. Part of what I wanted to see was the Egyptian artefacts, which remain some of the most exquisite examples of mosaic work from ancient history.
The Nile Mosaic of Palestrina was breath-taking in person and represented an interesting fusion of culture and appropriation of the Hellenistic Alexandrians and the native Egyptians. Although it is an uneven cultural balance, with the prioritising of the Macedonian elite over the native Egyptians.
It is a rare gem of the exquisite mosaic work that was part of art market in Italy, before the Rome dominated the Mediterranean. It highlighted aspects of Egyptian cult which would find its way into Italy, though altered for Italian tastes.
So, what is next?
This September I will be stepping into the subject and delving deeper into urban design, Egyptian architecture and the art styles that appear in Roman cities. There are so many aspects and angles to investigate with this topic, and being able to work on a PhD toward this end is like a dream come true. There are still so many sites, statues, and sistrums to see in my journey into my studies of this Cult of Isis!